yo this is cgi. notice the feet gliding a bit and the careful camerawork to hide the red car from the frame because it won’t reflect the robot. also that’s not how shadows work on an overcast day
Me high as hell walking to the gas station on an overcast day with a funky shadow avoiding red cars
That’s just how you be when you only go outside once every 8 days.
Hayley Kiyoko – Japanese-American lesbian pop artist. She became a tumblr sensation when her MV “Girls like Girls” went viral on tumblr a few years back. She also coined the term twentygayteen and has been dubbed our lesbian jesus! Her first album “Expectations” was released earlier this year and its gaaaaay.
Sofya Wang – First generation Chinese-American lesbian pop artist. Her single “Boys Aside” was released in 2017, and several other singles were released this year. Her career is just kicking off, but I think we have a lot to look forward to!
Rina Sawayama – Japanese-British pansexual pop/contemporary R&B artist. She was born in Niigata, Japan and raised there until age 5. She came out by releasing the single “Cherry” and has said many of her songs are about women!
Thao Nyugen – Vietnamese-American indie/alt singer. She fronted the band Thao & the get down stay down and also collaborated with fellow lesbian artist Mirah to release music under Thao & Mirah. Give “With a girl like you” a listen.
Holland – First openly gay K-Pop Idol to debut! He’s 22 years old and his first song “Neverland” was released January 2018. He’s released a few more singles since and is huge with international fans.
MRSHLL – While Holland is the first openly gay K-Pop Idol, MRSHLL is the first openly gay Korean musician to ever begin his career in Korea. He’s a R&B artist and just released his first EP this year.
Poppy Ajudha – Queer British-Indian Soul/Jazz/Experimental artist. Her first EP “FEMME” was released this year and I can tell we have lots to look forward to from her.
Leo Kalyan – British-Pakistani dance/electronic singer who is gay & Muslim! He came out in his music video for “fucked up” and has released a few singles this year! He’s also just a very eloquent and inspiring guy.
you know what i don’t see enough of? circus kid dick grayson critiquing the joker because he’s a bad clown. not like, bad, and also a clown. but bad at being a clown. i want to see dick grayson taking the existence of this horrible clown very personally as a matter of professional pride. he has known clowns, and you, sir, are no clown. the joker is an insult to the legacy of emmett kelly and this shall not stand.
“Sir, you are no clown! Your slapstick is shoddy, your prat falls are practically nonexistent, and you have NO sense of comedic timing! Do you even have ANY idea what type of clown you’re trying to pull off? Are you a Straight Whiteface, or a Grotesque Whiteface? Because you have no commitment to character that I can see! You can’t just slap on some makeup and call yourself a clown. There’s a proud history to be upheld! I BET YOU NEVER EVEN GOT A DEGREE FROM CLOWN COLLEGE!!!”
*Joker and henchmen stare in shocked silence as Dick continues his rant*
#Joker changes his rivalry from Batman to Nightwing because he’s so offended
#Dick storms into Arkham and stomps down the halls to Joker’s cell
obama’s wife was disrespected, his daughters were disrespected, HE was disrespected but he never resorted to acting like 5 year old on social media and to the press
we talk a lot about how cis lesbians dont wanna date trans girls but why dont we unpack how yall cis gays wouldnt even be caught in a mile radius near a trans dude
lets revisit this ladies
yes, let’s talk about this because i’m sick of cis gay dudes asking my boyfriend if he minds or say he’s only okay with it cause he’s bi. i’m sick of them saying shit like “i’d never be able to do that to myself” and “even if he’s a boy he has, you know…girl parts…” or whatever. not to mention the amount of gay dudes who hit on me when i was passing only to find out i’m trans and laugh it off like they were joking or, worse, react with utter disgust. cis gays are just as capable of being transphobic as cis lesbians and the fact that people are only calling out women is kind of telling. a lot of gay men won’t even entertain the possibility of dating a trans man and their “reasons” are just excuses wrapped up in transphobia and, at times, misogyny. the community gives cis gay men a lot of free passes for their bigotry and i’m sick of it. we should really talk about this.
listen just because a song was written before 1920 and has a fiddle in it doesn’t make it a sea shanty
I saw a ‘sea shanty playlist’ with finnegans wake in it and I almost died
a sea shatny is an unaccompanied work song with a call and response structure just because a folk song is about the sea doesn’t make it a shanty
actual tall ship sailor here! this isn’t quite accurate. there are two main categories of sea shanty: working shanties and fo’c’sle shanties.
working shanties are (obviously) songs sung while working. they typically have a steady beat and a call and response format – useful not only for keeping a massive crew all hauling on a line / heaving on a capstan together, but also for not becoming mind-numbingly bored as you do this for hours on end (raising an anchor could literally take an hour in the days before hydraulic windlasses and propeller-driven ships. last time i did it, even with using the ship’s engine to get us over the anchor, it took about fifteen minutes of constant work to get the anchor up). there are subcategories of working shanty based on what kind of work you’re doing (short haul, long haul, capstan e.g)
fo’c’sle shanties (short for forecastle, where the common jack tar would sleep/hang out) are another story. they were sung purely for entertainment, sort of like campfire songs. as such, they are much freer in form – they often aren’t call and response, and they rarely keep as steady a beat.
either of these two categories can be accompanied! the shantyman would often play the fiddle while standing on the capstan as it rotated, and of course in fo’c’sle shanties anything goes. besides, if you wouldn’t slam a traditional irish tune for having guitar playing chords behind the melody (an innovation that only came about in the 1970s, and piano accompaniment in the 1920s, prior to which everyone just played the melody in unison), there’s no need to slam a shanty for having accompaniment, even non-traditional accompaniment. it makes stuff sound nicer!
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